Guess that poem
I wrote a hard sci-fi/hardnosed detective/chess story yesterday. Yeah I know how that must sound. I'll post it sometime, maybe, but right now my A drive and jumpdrive are broken. And my printer/scanner. And my photoshop. But those last two don't have much to do with anything.
Anyhoo, the best line from the story is, "My thoughts on the past were interrupted by a precognitive bolt that brought me back to the present." Get it? Past, present, future all in the same line... Eh, you kids today with your gameboy pocket and your boomerangs, just don't understand dedication to triple entendres. Bah.
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here's your latest installment in the guess that ___ series:
this one reminded me of my own love for endearing moments:
and this one I threw in too
Anyhoo, the best line from the story is, "My thoughts on the past were interrupted by a precognitive bolt that brought me back to the present." Get it? Past, present, future all in the same line... Eh, you kids today with your gameboy pocket and your boomerangs, just don't understand dedication to triple entendres. Bah.
--
here's your latest installment in the guess that ___ series:
this one reminded me of my own love for endearing moments:
Lying here quietly beside you,
My cheek against your firm, quiet thighs,
The calm music of Boccherini
Washing over us in the quiet,
As the sun leaves the housetops and goes
Out over the Pacific, quiet--
So quiet the sun moves beyond us,
So quiet as the sun always goes,
So quiet, our bodies, worn with the
Times and penances of love, our
Brains curled, quiet in their shells, dormant,
Our hearts slow, quiet, reliable
In their interlocked rhythms, the pulse
In your thigh caressing my cheek. Quiet.
and this one I threw in too
The modern biographers worry
"how far it went," their tender friendship.
They wonder just what it means
when he writes he thinks of her constantly,
his guardian angel, beloved friend.
The modern biographers ask
the rude, irrelevant question
of our age, as if the event
of two bodies meshing together
establishes the degree of love,
forgetting how softly Eros walked
in the nineteenth century, how a hand
held overlong or a gaze anchored
in someone's eyes could unseat a heart,
and nuances of address not known
in our egalitarian language
could make the redolent air
tremble and shimmer with the heat
of possibility. Each time I hear
the Intermezzi, sad
and lavish in their tenderness,
I imagine the two of them
sitting in a garden
among late-blooming roses
and dark cascades of leaves,
letting the landscape speak for them,
leaving us nothing to overhear.
Does anyone remember these books? More, 